Søren Kierkegaard, Fear and Trembling

And as God created man and woman, so too he shaped the hero and the poet or speechmaker. The latter has none of the skills of the former, he can only admire, love, take pleasure in the hero. Yet he, too, no less than the hero, is happy; for the hero is so to speak that better nature of his in which he is enamored, though happy that it is not himself, that his love can indeed be admiration. He is the spirit of remembrance, can only bring to mind what has been done, do nothing but admire what has been done. He takes nothing of himself, but is jealous of his charge. He follows his heart’s desire, but having found what he sought he wanders round to everyone’s door with his song and his speech, so that all can admire the hero as he does, be proud of the hero as he is. That is his achievement, his humble task, this is his faithful service in the hero’s house. If he remains thus true to his love, if he struggles night and day against the wiles of oblivion, which would cheat him of his hero, then he has fulfilled his task, he is united with the hero who in his turn has loved him just as faithfully, for the poet is so to speak the hero’s better nature, ineffectual certainly as a memory is, but also transfigured as a memory is. Therefore no one who was great will be forgotten: and however long it takes, even if a cloud of misunderstanding should take the hero away, his lover still comes, and the more time goes by the more faithfully he sticks by him.

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