Had it been a book, I’d have read it in one sitting. Had it been a movie, I’d have watched it without blinking. As a role-playing game, the story was infused with a sense of immediacy unique to the medium, gaining much and losing nothing. There are very, very few games in my not so modest gaming experience for which I could say the same. Even in the face of considerable expectations I had, based on the surprisingly positive reactions of the RPG community, Mask of the Betrayer stood its ground as a rare and superb experience.
Strange as it may sound, of all Austen’s novels, Pride & Prejudice, although probably the most famous, is the only one I had known next to nothing about prior to reading it this January. I had no idea whatsoever about what the plot was, which made for some delicious surprises, and I felt no certainty that it would end well, unlike with the others, where there was a constant awareness that a happy ending is practically guaranteed. Needless to say, I did like the book immensely; much more than Sense and Sensibility, though probably not as much as Emma, and I wasn’t really hit immediately after finishing. It took me a few days of going over it in my mind almost in spite of myself to realize the extent of the impressions.
And then I gave in and started looking for more. First I watched the movie from 2005, starring Keira Knightley and Matthew Macfadyen, and was positively enraptured. Some two weeks later, I had a flashback and looked for the other recent adaptation, the BBC’s mini-series from 1995, with Jennifer Ehle and Colin Firth. I have little to say about the book – not because it was uninspiring or anything like that, of course; merely because I can’t presume to add any substance to the immense body of critique, commentary and analysis that must accompany such a classic; however I am in the mood for talking about the two movie adaptations and how they compare.
Awakening is an expansion for Dragon Age: Origins (DAO), a single-player fantasy RPG released by Bioware in 2009. DAO takes place in the imaginary world of Thedas, a medieval and highly magical setting with a long and bloody history, where humans, dwarves and elves find themselves united before the threat of a Blight – an invasion of Darkspawn, creatures corrupted by the disease called the Taint, who emerge from underground in massive numbers following the telepathic summons of the Archdemon Urthemiel, a tainted dragon-god of old. The game follows a small group of Gray Wardens, who are an ancient order dedicated to eradicating the Darkspawn, through their efforts to stop the Blight before it reaches catastrophic proportions.
The main qualities of DAO are its engaging, tightly written and well executed story, the cast of interesting and believable characters and exceptional quest design, offering meaningful choices and delivering significant consequences. The game has been well received by both hard-core and casual players and has gained a large fan community, whose hunger for more stories about the Blight, Thedas, the Gray Wardens and the characters of DAO has been amply sated with numerous downloadable extensions, fan-made mods, and a recent announcement of a sequel.
I enjoyed Dragon Age: Origins very much. So much, in fact, that I played it twice in a row, which has never happened to me before. The game has its share of faults; but for me, they don’t come even close to overshadowing its many virtues.